Film Review: Despicable Me 2

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Tuesday, 26 February 2013

CJ Says #1: Classic Book Covers vs. Film Book Covers

Posted on 05:47 by Unknown
Classic cover

Picture this: you see a soon-to-be-released-in-cinemas film is based on a book. For argument’s sake, let’s say it’s Cloud Atlas by David Mitchell. You think, “I like reading the book before I see the film”. You recently read Life of Pi and re-read The Hobbitin preparation for the films. So your train of thought chugs along until it reaches its station: “I’ll buy Cloud Atlas to read before the film”.


Film cover
Now imagine yourself walking into your local bookshop. Let’s say that bookshop is called Dymocks. You walk in with one mission in mind: find Cloud Atlas by David Mitchell. And lo and behold, with the movie around the corner, you find it. But it’s not what you expect.

In honour of the up and coming motion picture/ blockbuster coming to a cinema near you, every single copy of the book is covered in images from the film. And I mean every last copy in the entire shopping centre. Not just Dymocks, but everywhere else that sells books as well.

Imagine your disappointment. You don’t want a DVD cover on your book; you want a book cover on your book. The cover that came before the movie, because this book was around before the movie version needed promoting. What happened to all the classic covers?

And it gets worse: it will take two to four weeks to order it in. Did I mention you really wanted this book in the next few days for an aeroplane trip you had planned? Two weeks is simply unacceptable.

So you go home, defeated. What else can you do? You try www.fishpond.com.au. There is the classic cover, on your computer/laptop screen. Just as you thought, it looks infinitely better than the film cover version: there are no moody profile shots of Tom Hanks and Halle Berry adorning this cover, just the original, proper copy before a Hollywood adaptation was even thought of.  Add to cart, and check shipping. Typically, it will take anywhere between two to four weeks.

The situation is hopeless. All you’re left with is an unspent $20 note, a feeling of betrayal, and a computer/laptop with one extra dent in it than before.

Why can’t they just sell the classic cover when you want it? Why do they insist on shoving those movie images down your throat? Yes, if the book is enjoyable and the reviews are positive, you will see the film or buy the DVD. You don’t need that much convincing! Is a classic cover to the book you’d like to read on a plane within the next week too much to ask for?

Unfortunately there is only one solution to the problem: fold and order the book. In the meantime, you’ll have to read something else. And quietly loathe inside whoever makes the decision to suspend all classic covers on a book in the months leading up to the film adaptation. 
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Posted in Cloud Atlas, David Mitchell, Halle Berry, Hugh Grant, Life of Pi, The Hobbit, Tom Hanks | No comments

Sunday, 24 February 2013

60 Second Film Reviews #1

Posted on 03:38 by Unknown

A new regular feature, 60 Second Film Reviews are quick, bite-size write-ups of some of the most recent films that I've seen both on the silver screen or at home and have not yet had the time to give a full going over. Every month from here on out, 60 Second Film Reviews gives you everything you need to know about a film without the waffle. This month, we have Total Recall, Rise of the Guardians, The Expendables 2, The Bourne Legacy. 



Total Recall (2012)


Visually impressive and action-packed from wall to wall, Total Recall was highly stylised and glossy but ultimately a little thin on substance.

Whilst this remake isn't a complete waste of your time, it did feel as though it's character were a little two-dimensional and underdeveloped. Colin Farrell was ok, but not remarkable as the lead whilst Jessica Biel's character was a little underwritten.

Meanwhile, what Total Recall lacks in storytelling it makes back in visuals. The elongated action set-pieces that zoom across the futuristic cityscapes look brilliant on the surface but ultimately are covering the thinly spread plot hidden underneath.

I give Total Recall: 5/10




Rise of the Guardians (2012)


Released in the run-up to the festive season, this charming family flick is another entertaining entry into the Dreamworks' hall of fame that follows along the same vein as Kung Fu Panda and How To Train Your Dragon. 

Centred on young and lonely Jack Frost, this animated film is supported by an all-star cast including Chris Pine, Hugh Jackman, Alec Baldwin and Jude Law. It is an all-round great time, with mythical characters such as Santa, the Easter Bunny and the Tooth Fairy all being brought to the screen in unique and distinctive ways.

Rise of the Guardians has it's own distinct feel and look that sets it apart from the swathes of animated features we usually see. Whilst it isn't perfect (the overall message/moral of believing in something isn't anything new or radical), it is an endearing family film that will please all ages.

I give Rise of the Guardians: 7/10



The Expendables 2 (2012)


Everyone's favourite troupe of geriatric action heroes are back in the saddle for this bonkers second outing. Everyone from Stallone, Statham, Norris, Willis and Schwarzenegger are along for the ride and this time it's a lot smoother. 

The Expendables 2 dispenses with any pretence that it is a serious war film and embraces its true home; being ridiculously OTT fun that comes riddled with as many groan-enducing one-liners as it does bullets. With Jean Claude Van Damme's baddie about to get his hands on uranium...or plutonium...or some element of the nuclear variety, Stallone's band of merry mercenaries must band together to bring him down. The narrative however is buried underneath numerous swathes of death and destruction, the varied and ridiculous action set-pieces side-lining any notion of a coherent plot being strung together.

Whilst this may appeal to some, the action sequences do begin to drag on and the cheesiness may begin to grate (pun intended). The end result is a film that is a whole lot of fun, but forgettable in T-minus 10 minutes (Chuck Norris cameo aside).

I give The Expendables 2: 4/10




The Bourne Legacy (2012)


With a new lead man, the Bourne series enters a new era. In this instalment, Aaron Cross (played by a noteworthy Jeremy Renner) is forced to go on the run from his own government when Jason Bourne's actions (in Bourne films 1-3) lead to the exposing of Operations Treadstone and Blackfriar. 

As a stand-alone film, The Bourne Legacy is by no means a bad film. It is a hugely enthralling and gripping spy caper that is punctuated with pulse pounding chases and action. 

It is only when the film is stacked up against it's siblings Identity, Supremacy and Ultimatum that Legacy looks a little like the least favoured child. For many fans, Legacy suffers through Matt Damon's absence, but in my mind Jeremy Renner does not do the lead role a disservice.  

The Bourne Legacy therefore is by no means a waste of your time or money. Renner launches himself into the role with grit and determination that shows from the off whilst his co-star Rachel Weisz brings both the necessary brains and beauty to proceedings. Viewed on its own merits, it's a whole lot better than you think and have heard. 

I give The Bourne Legacy: 7/10


Be sure to check back to feeling fuzzier in the next few weeks for more features, reviews and opinion pieces on all of your favourite films! 
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Posted in 60 Second Film Reviews, Film and Cinema, Film Reviews, Rise of the Guardians, The Bourne Legacy, The Expendables 2, Total Recall | No comments

Sunday, 10 February 2013

Verdict: Fresh Meat Series 1

Posted on 18:08 by Unknown


Premièring on British television in the autumn of 2011, Fresh Meat is a fantastically witty and entertaining show about the horror of student life. Featuring an ensemble cast that includes stand-up comedian Jack Whitehall, ex-Inbetweener Joe Thomas and the perky Kimberley Nixon, Fresh Meat is more like a breath of fresh air that proves the quality British sitcom isn't an endangered species. 

Following the lives of six students who house share at Manchester University, Fresh Meat is one of the best new shows that I have seen in a while. A little slow on the uptake, I finally got around to watching the first series (eight episodes) of this delightful show over the last month.

What the show captures so perfectly is the varying personality quirks and traits present in the diverse social group. There's pompous and arrogant public school poshie JP (Jack Whitehall), the oblivious and unlucky in love Kingsley (Joe Thomas), the apparently prim and proper Josie (Kimberly Nixon), socially-bakward geology geek Howard (Greg McHugh), the desperately trying to be cool and funky Oregon (Charlotte Ritchie) and the straight-talking and head-strong Vod (Zawe Ashton).

Usually in a show like this there is an obvious weak link in the group that brings it down. Not so in Fresh Meat, with each and every cast member given their time in sun. Over the course of the eight episodes certain characters begin to steal the show (Josie and Kingsley's awkward will-they-won't-they pairing blows hot and cold across the series) but the writer's ensure that the focus is very much on the group as a whole. The observed writing is sharp and cool, each character being entirely believable and relatable, the charm of their idiocy and naivety evident from the get-go.

Supporting cast members add to the show's charm, Robert Webb's hilariously desperate geology teacher a particular stroke of genius. Whilst at first, the show may be comparable to The Inbetweeners or even Skins, over time the heartfelt and touching strands begin to come together in a much more serious way. Episode 6 for example touches on the idea of death and grieving, something we all have, or will have, experience at some point.

It's at this point that Fresh Meat singles itself out from the crowd and begins to elevate itself above the initial slapstick or cartoon comedy. By the end of the season, both the writers and the actors have gotten the delicate balance between drama and comedy just right, making for some pleasing results.

Fresh Meat is a real gem that is just waiting to be unveiled and cherished. Get onto it!
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Posted in British Comedy, Channel 4, Fresh Meat, Jack Whitehall, Joe Thomas, Kimberly Nixon, Series 1, Sitcom, Television, University | No comments

Saturday, 9 February 2013

Academy Awards 2013 Predictions

Posted on 03:29 by Unknown


Always a great barometer of which the way the wind's blowing, this year's Golden Globes threw some real curveballs at us, upsetting the order in some of the major categories. Steven Spielberg's latest Lincoln  was expected to sweep the floor with all others but Ben Affleck's Argo shook the apple-cart by taking a surprise win for both Best Picture (Drama) and Best Director. Never one to make something easy for myself then, here is my picks for the major categories at the 2013 Academy Awards.* The winners are announced on February 24th 2013. 


My pick for the winner of that category is highlighted in bold and grey.

*Not 100% accurate. Probably not even 80%, 65% at best.


Ben Affleck's Argo


Best Picture


Amour
Argo
Beasts Of The Southern Wild
Django Unchained
Les Miserables
Lincoln
Life Of Pi
Silver Linings Playbook
Zero Dark Thirty

Best Actress


Jessica Chastain - Zero Dark Thirty

Jennifer Lawerence - Silver Linings Playbook
Emmanuelle Riva - Amour
Quvenzhane Wallis - Beasts Of The Southern Wild
Naomi Watts - The Impossible

Best Actor


Daniel Day Lewis - Lincoln
Bradley Cooper - Silver Linings Playbook
Hugh Jackman - Les Miserables
Joaquin Phoenix - The Master
Denzel Washington - Flight

Best Director


Ang Lee - Life of Pi
David O. Russell's
Silver Linings Playbook
Michael Haneke - Amour
Stephen Spielberg - Lincoln
David O. Russell - Silver Linings Playbook
Behn Zeitlin - Beasts of the Southern Wild

Best Supporting Actor


Philip Seymour Hoffman - The Master
Robert De Niro - Silver Linings Playbook
Alan Arkin - Argo
Tommy Lee Jones - Lincoln
Christoph Waltz - Django Unchained

Best Supporting Actress


Sally Field - Lincoln
Anne Hathaway - Les Miserables
Jacki Weaver - Silver Linings Playbook
Helen Hunt - The Sessions
Amy Adams - The Master

Best Animated Feature

Tim Burton's Frankenweenie

Frankenweenie
Pirates! Band of Misfits
Wreck It Ralph
Paranorman
Brave

Music (Original Score)


Anna Karenina - Dario Marianelli
Argo - Alexandre Desplat
Life of Pi - Mycheal Danna
Lincoln - John Williams
Skyfall - Thomas Newman


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Posted in Argo, Daniel Day Lewis, Jennifer Lawrence, Les Miserables, Lincoln, Oscars 2013, Robert De Niro, Silver Linings Playbook, Steven Spielberg, Zero Dark Thirty | No comments

Wednesday, 6 February 2013

Rank the Films #2: Star Wars

Posted on 17:59 by Unknown

As any regular reader of feeling fuzzier will know, lists are pretty darn nifty. We have a profound appreciation for straight-up lists. This is the thinking behind Rank the Films, a regular feature that pulls apart the pros and cons of a series of films, ranking them in order of good to bad. 

In this second part we look at the Star Wars franchise. We've gone through all six Star Wars films (Clone Wars doesn't count) and ranked them from worst to best. Give it a read and leave me a comment letting me know what you think!


6th - Episode I: The Phantom Menace (1999)

Rotten Tomatoes: 57%

Liam Neeson and Ewan McGregor in The Phantom Menace
After so many years of expectation and build-up, The Phantom Menace can only be seen as none other than a big fat let down. With anticipation for a new foray into a galaxy far far away at fever pitch, the unexpected change of tone and direction for Star Wars left many fans out in cold.

Pacing, character development, script writing are all pretty shoddy at times in Phantom Menace. Whilst the concluding third is a visual treat and pretty exciting to watch, the middle chapter can begin to bore; one can only endure so many conversations about midi-chlorians and trade disputes before you begin to dream up inventive ways of killing off Jar Jar.

Thank God Lucas saw the need to include the heart-pounding pod-race, one of the saga's stand-out action set-pieces that goes some way to redeeming Phantom Menace from being a complete disaster.


5th - Episode II: Attack of the Clones (2002)

Rotten Tomatoes: 67%

The Battle of Geonosis 
Time and repeat viewing have not been kind to Attack of the Clones in my opinion. Whilst there are certaintly some fantastic and imaginative visuals to delight viewers, Attack of the Clones suffers from many of the shortfalls that Phantom Menace does. 

Hayden Christensen as Anakin grates after about 5 minutes of screen time, whilst Natalie Portman is handed a script that coughs and splutters. By this point, Ewan McGregor has grown into his role as Obi-Wan whilst supporting cast members like Samuel L. Jackson, Christopher Lee and Ian McDiarmid add then necessary gravitas. 

It is redeemed by the ending that promises greater things to come for the third prequel. Be honest, Yoda gave you the chills with that last line. 



4th - Episode VI: Return of the Jedi (1983)

Rotten Tomatoes: 79%

Luke and Vader face the Emperor
Despite being the weakest of the original trilogy, Return of the Jedi nevertheless stands heads and shoulders above Menace and Clones by some way. Bringing the entire saga to a close, Return of the Jedi is all about taking the fight the Empire and Luke confronting his father, Darth Vader. It brings together some fantastic action and adventure to end the saga in fine fashion.

In terms of pacing, ROTJ races past at lightspeed, the action barely easing-up for the entirety of the 133 minute run-time. Zooming from the wastelands of Tatoonie to the forests of Endor, the visuals in the final chapter of the original trilogy are impressive given when it was released.


3rd - Episode III: Revenge of the Sith (2005)

Rotten Tomatoes: 80%

Natalie Portman as Senator Amidala
Possibly the most crucial film in the saga (in terms of storytelling), Revenge of the Sith struggles slightly by compressing so much into its two hour and twenty minute runtime. Covering enough story to cover two prequels, Revenge of the Sith sees young Anakin turn to the dark side of the Force in a desperate attempt to save his wife from death.

Being heralded as a fitting send-off for big screen Star Wars adventures at the time (at least until 2015 rolls around), Revenge of the Sith isn't by any means perfect and at times the scripting and dialogue feels every bit as forced (pun) as it did in Phantom Menace and Attack of the Clones.

Lucas squeezes so much in during Episode III to the degree that Anakin's fall from grace is a little rushed and the enactment of Order 66 feels skated across too briefly. On the other hand, Revenge of the Sith doesn't disappoint in other areas. The Clone Wars look every bit as bloody as Obi-Wan makes them sound in Episode IV, whilst the final confrontation between Anakin and Obi-Wan is a full of emotional weight and trauma.


2nd - Episode IV: A New Hope (1979)

Rotten Tomatoes: 93%

Harrison Ford as Han Solo
The first, the original, the classic. The best? Not quite. Star Wars (retitled A New Hope in 1997), certainty is a fantastic film, its bold visuals and fun storytelling taking the world by storm at the tail end of the 1970's. It has been said that Star Wars forever changed the landscape of blockbuster cinema. It certainly left an indelible mark in our memories by introducing us to some fantastic characters.

From humble farm-boy Luke Skywalker taking his first steps towards the stars to Ben Kenobi providing wizened musings on the ways of the Force, Star Wars wasn't just a film; it opened up an entire universe of storytelling and adventure. Still endlessly entertaining and quotable today, Star Wars is only just pipped to first place by it's deeper, darker sequel The Empire Strikes Back.


1st - Episode V: The Empire Strikes Back

Rotten Tomatoes: 97%

"I am your father"
A lesson in how sequels should be made, The Empire Strikes Back takes everything movie-goers loved about the original Star Wars and dialled it up to eleven. 

After laying the foundations of a wider universe and narrative in Star Wars, George Lucas and co. shocked everyone by flipping the entire story on its head at the climax of Empire Strikes Back with one mother of a cliffhanger. Luke left battered and bruised, Leia heartbroken, Han tortured and captured, the Alliance broken and shattered, Empire Strikes Back works simply because it doesn't have an ending. We are left open-mouthed as the film lives up to its title and our heroes are well and truly beaten. 

To say that Episode V is the best Star Wars film is underselling it. It is a contender for one of the best films ever, period. Empire Strikes Back was voted in at #3 on the 500 Greatest Movies of All Time by Empire Magazine as well as #8 by Total Film Magazine. Even if your not a fan of the Star Wars saga, it's well worth watching Empire Strikes Back. 


So there we have it, each Star Wars film rated and slated! Let me know what you think below!

Also, let me know below what you think about the news that Disney will be making several  Star Wars character spin-off movies using characters such as Han Solo, Boba Fett and Yoda. Could be a good thing idea but films based on singular characters from an existing series haven't always been amazing (X-Men: Origins Wolverine).

You can view Rank the Films #1: Harry Potter by clicking on this link: Rank the Films #1: Harry Potter
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Posted in A New Hope, Empire Strikes Back, George Lucas, Han Solo, Luke Skywalker, Rank the Films, Return of the Jedi, Star Wars | No comments

Monday, 4 February 2013

Film Review: Flight

Posted on 18:07 by Unknown

Director: Robert Zemeckis
Starring: Denzel Washington, Kelly Reilly, Don Cheadle, Bruce Greenwood
Runtime: 138 minutes

Now boarding is Flight, an entertaining film that examines the fatally flawed character of Captain Whip Whitaker (Denzel Washington), an alcoholic pilot who is proclaimed a hero before his life plunges into an uncontrollable tailspin. 

Flight is an all-round good movie; from the acting, scripting and visual effects, everything comes together to put together a well-rounded and enjoyable film. It isn't perfect, but neither is its focus. The films' tale of not being a perfect person, of having weaknesses and flaws and of the desire to find redemption is a powerful one. It is carried across not one but several of its characters, the strongest being that of Captain Whitaker, our protagonist.

After saving the lives of 100 people in a sickening plane crash (more on that later), Denzel Washington's Captain Whitaker as heralded as a hero who 'will never pay for another drink as long as he lives'. His only problem is, is that had spent the night prior to the flight drinking heavily and taking cocaine. Regardless of how many lives he saved, Whitaker still faces prison time for his recklessness.

This notion of questionable morals and the ensuing dilemma is what is at the heart of Flight. Director Robert Zemeckis extracts some brilliant performances from his cast, Washington being particularly impressive as his character rapidly begins to crash and burn. Lurching and stumbling across screen, Washington's flawed Captain Whitaker is a hard character to side with at first as he is so irresponsible and arrogant. This changes over time however as he steadily mends his ways and owns up to responsibility.

Both thrilling and sickening to watch, the film's stomach churning set-piece that sees Flight 227 fall apart and out of the sky is a real triumph of visual effects. It'll most certainly have squeamish audience members reaching for the sick bag.

From that point on however, Flight does begin to drag a little, the subsequent character study on both Captain Whitaker's alcohol addiction and Nicole's (Kelly Reilly) heroin addiction spread thin across the 138 minute run-time. I felt myself wishing that things would hurry themselves up,  but instead Zemeckis pulls back on the throttle and slows things down.

When things do finally come to a close (in a neat and satisfying way I might add) at the end, you can't help but wish that Zemeckis has gotten there a little quicker. This slow pacing isn't detrimental enough to have you reclining your seat and reaching for the flight pillows however, just a slight criticism after such a pulsating and heart-quickening opening half an hour.

Don Cheadle and Bruce Greenwood are both fantastic as Captain Whitaker's legal team but a side plot concerning Whitaker's wife and son is underplayed.

On the whole, Flight is an enjoyable, entertaining and fascinating ride that is only disturbed by small batches of turbulence. It's an emotional character study on addiction as well as moral ambiguity and responsibility. A thrilling opening and satisfying conclusion more than make for a slightly padded middle third.

I give Flight: 7/10


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Posted in 2013 Film Review, Bruce Greenwood, Denzel Washington, Don Cheadle, Film Reviews, Flight, Robert Zemeckis | No comments

Sunday, 3 February 2013

Verdict: Elementary

Posted on 06:21 by Unknown


Prior to watching the first episode of CBS' new crime drama Elementary, I was held the opinion that American adaptations of British television shows are hit and miss, primarily the latter (see Opinion: Brits do it Better). 60 minutes later, it is still immensely tricky to shake off that opinion.


The main lesson to be learnt about Elementary is that you can't take something so distinct in image and ideal and try and make it something it isn't. You can't take something so quintessentially British and Americanize it without losing something. The thing about the Sherlock Holmes is that he comes laden with an associated set of these images that define any book, television show or film that he inhabits; the smoky streets of London, the contrasting characters of Holmes and Watson, Holmes' odd traits and addictions and so on.

The biggest misgiving of Elementary is that it takes these characters' and attempts to transplant them into an alien setting that is ill-fitting of the legend. The established characters and the new spin just don't gel, don't mesh together as neatly as other recent interpretations of the character have done. Had Elementary been the first television show to take Sherlock Holmes and place him in a modern day setting, then maybe it would have been pulled off with a little more success. As it is, Elementary feels like nothing more than a rehash of other ideas that worked better in first place anyway.

First off, let's talk about the man himself. Jonny Lee Miller's drug-addicted Sherlock isn't anything remarkable or memorable. He's patchy and inconsistent, veering from an ADHD-riddled brat one moment to smart, smug and arrogant the next. He doesn't play it cool, instead throwing tantrums and anger fits that lead to him deliberately ramming a parked car.

On the other hand, Lucy Liu acts Dr. Watson well. She doesn't overact it, instead playing it low-key and understated. If fact, she is probably the show's greatest draw card. Outside of the lead duo, the supporting characters such as Captain Gregson (Aidan Quinn) are almost instantly forgettable, coming across as one-off Law and Order characters.

In fact, the entire show comes across as just another bland American crime drama. There is little to distinguish Elementary from Law and Order, CSI or Bones, except that the latter of those has some degree of genuine wit and chemistry between its two leads. The twists and turns in Elementary are weak and predictable, nothing out of the ordinary or remarkable. It washes over you with ease; hardly gripping or thrilling in the slightest.

The hard truth is, is that after half an hour, I was longing to watch the BBC's Sherlock rather than intrigued to watch any more of Elementary. Taking a fairly standard American crime show format and simply naming your lead characters Holmes and Watson doesn't make it brilliant. Give Elementary a whirl if your a die-hard fan of Law and Order and CSI: New York. Other than that, I highly recommend you watch Benedict Cumberbatch and Martin Freeman in the BBC's Sherlock, a show that is simply genius on every level.

Click on the links below for my episode reviews of Series 2 of the BBC's Sherlock.

Episode 1: A Scandal in Belgravia
Episode 2: The Hounds of Baskerville
Episode 3: The Reichenbach Fall
Opinion: Reinventing Sherlock
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Posted in Arthur Conan Doyle, CBS, Elementary, Jonny Lee Miller, Lucy Liu, Robert Doherty, Sherlock, Sherlock Holmes | No comments
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